Experience and impressions

Cannes, France
Backed by gentle hills and flanked to the south by the heights of the Estérel, warmed by dependable sun but kept bearable in summer by the cool breeze that blows in from the Mediterranean, Cannes is pampered with the luxurious climate that has made it one of the most popular and glamorous resorts in Europe. Its graceful curve of wave-washed sand peppered with chic restaurants and prestigious private beaches, its renowned waterfront promenade strewn with palm trees and poseurs, its status-symbol grand hotels vying for the custom of the Louis Vuitton set—this legend is, to many, the heart and soul of the Côte d'Azur. A tasteful and expensive breeding ground for the upper-upscale, Cannes has long been a sybaritic heaven further glamorized by the ongoing success of its film festival, as famous as (and, in the trade, more respected than) Hollywood's Academy Awards. About the closest many of us will get to feeling like a film star is a stroll here along the famous La Croisette promenade, lined with fancy boutiques and lorded over by the Carlton hotel, the legendary backdrop to Grace Kelly in To Catch a Thief. Nearly 60 years later with life imitating art, a whopping $53 million worth of jewels was stolen from this same hotel, one of many high-profile heists to hit Cannes during the summer of 2013. Settled first by the Ligurians and then dubbed Cannoïs by the Romans (after the cane that waved in its marshes), Cannes was an important sentinel site for the monks who established themselves on Île St-Honorat in the Middle Ages. Its bay served as nothing more than a fishing port until in 1834 an English aristocrat, Lord Brougham, fell in love with the site during an emergency stopover with a sick daughter. He had a home built here and returned every winter for a sun cure—a ritual quickly picked up by his peers. Between the popularity of Le Train Blue transporting wealthy passengers from Calais, and the introduction in 1936 of France's first paid holidays, Cannes became the destination. La Croisette, which starts at the western end by the Palais des Festivals and leads over to the Jardin Alexandre III, is precisely the sort of place for which the French invented the verb flâner (to dawdle, saunter): from the broad expanse of mostly private beaches to the glamorous shops and luxurious hotels, which these days are filled with the not-so jet set and conventioneers. info by

Ubud, Indonesia
Ubud is one of the world's most magical destinations!
Ubud was the cultural, artistic, and spiritual heart of Bali centuries before the tanned, toned, and bejeweled began to sashay through the hallowed haunts of south Bali. Perhaps Ubud's destiny as a point of confluence was sealed in the 8th century by Rsi Markendya, a wandering priest from Java, who (legend has it) found the perfect patch for meditation where the eastern and western branches of the Wos River meet in Campuhan. This holy site is now Guning Lebah temple. Ubud's position as a center of the arts developed under Tjokorde Rai Batur, king from 1850 to 1880, a member of the Satriya family of Sukawati, who had been significant supporters of the arts and culture over the centuries. Ubud's modern cultural prominence is a result of a fortuitous meeting of one of the scions of the House of Ubud and Walter Spies, who came to Denpasar in 1926. At the time the arts in Bali were undergoing a process of redefinition, as the traditional forms of patronage and funding, namely the rajahs and the temples, were under Dutch colonial rule and were no longer sources of wealth. Survival meant innovation and an important meeting of the minds. Walter Spies came to Ubud on the invitation of Prince Sukawati, and, together with friend and fellow artist Rudolf Bonnet, encouraged and financed individual artists in developing new styles that put art and artist ahead of tradition. This is known as the Pita Maha. At about this same time Bali became the bohemian destination for glamorous artistic society, Dorthy Lamour, Charlie Chaplin, and Noel Coward loved it, Margaret Mead and her lover Gregory Bateson got married on a ship en route to Bali, and Barbara Hutton fell head-over-heels for Walters Spies who had a different sort of partner in mind altogether. By the early 1960s, Ubud had attained fame as a unique artists' community. Enter Arie Smit, the most well-known and longest surviving Western artist in Ubud, whose Young Artists school of painting in Penestanan earned him an enduring place in the history of Balinese art. In the following years the entire artistic region around Ubud flourished, including the enclaves of Campuhan, Penestanan, Sanggingan, Nyuhkuning, Padang Tegal, Pengosekon, and Peliatan. Nearby are the centers of wood carving at Mas and of silverware at Celuk. Described by many as one of the world's most magical destinations, Ubud, despite the advance of yoga centers, spas, villas, and luxury hotels, remains relatively unchanged. The town has taken a stand against the encroachment of tourism and has defended its cultural practices and artistic endeavors against the influx of outsiders. By order of decree no McDonald's, Starbucks, or KFCs are allowed within its boundaries. by

Holy Chapel (La Sainte-Chapelle), Paris, France
Beautiful Sainte-Chapelle
Built by the obsessively pious Louis IX (1226–70), this Gothic jewel is home to the oldest stained-glass windows in Paris. The chapel was constructed over three years, at phenomenal expense, to house the king's collection of relics acquired from the impoverished emperor of Constantinople. These included Christ's Crown of Thorns, fragments of the Cross, and drops of Christ's blood—though even in Louis's time these were considered of questionable authenticity. Some of the relics have survived and can be seen in the treasury of Notre-Dame, but most were lost during the Revolution. The narrow spiral staircase by the entrance takes you to the upper chapel where the famed beauty of Sainte-Chapelle comes alive: 6,458 square feet of stained glass is delicately supported by painted stonework that seems to disappear in the colorful light streaming through the windows. Deep reds and blues dominate the background, noticeably different from later, lighter medieval styles such as those of Notre-Dame's rose windows. The chapel is essentially an enormous magic lantern illuminating 1,130 biblical figures. Its 15 windows—each 50-feet high—were dismantled and cleaned with laser technology during a 40-year restoration, completed in 2014 to coincide with the 800th anniversary of St. Louis’s birth. Besides the dazzling glass, observe the detailed carvings on the columns and the statues of the apostles. The lower chapel is gloomy and plain, but take note of the low, vaulted ceiling decorated with fleurs-de-lis and cleverly arranged Ls for Louis. Sunset is the optimal time to see the rose window; however, to avoid waiting in killer lines, plan your visit for a weekday morning, the earlier the better. Come on a sunny day to appreciate the full effect of the light filtering through all of that glorious stained glass. You can buy a joint ticket with the Conciergerie: lines are shorter if you purchase it there or online, though you'll still have to go through a longish metal detector line to get into Sainte-Chapelle itself. Sights aside, the chapel makes a divine setting for classical concerts

Musee Rodin, Paris, France
Auguste Rodin (1840–1917) briefly made his home and studio in the Hôtel Biron, a grand 18th-century mansion that now houses a museum dedicated to his work. He died rich and famous, but many of the sculptures that earned him a place in art history were originally greeted with contempt by the general public, which was unprepared for his powerful brand of sexuality and raw physicality. During a much-needed, multiyear renovation that has closed parts of the Hôtel Biron (it's set to finish in late 2014), the museum is showcasing a pared-down, "greatest hits" selection of Rodin's works. Highlights Most of his best-known sculptures are in the gardens. The front garden is dominated by The Gates of Hell (circa 1880). Inspired by the monumental bronze doors of Italian Renaissance churches, Rodin set out to illustrate stories from Dante's Divine Comedy. He worked on the sculpture for more than 30 years, and it served as a "sketch pad" for many of his later works. Look carefully and you can see miniature versions of The Kiss (bottom right), The Thinker (top center), and The Three Shades (top center). Inside the museum, look for The Bronze Age, which was inspired by the sculptures of Michelangelo: this piece was so realistic that critics accused Rodin of having cast a real body in plaster. There's also a room (condensed during the renovation) of works by Camille Claudel (1864–1943), Rodin's student and longtime mistress, who was a remarkable sculptor in her own right. Her torturous relationship with Rodin eventually drove her out of his studio—and out of her mind. In 1913 she was packed off to an asylum, where she remained until her death. For €1 you can enjoy the 7 acres of gardens. If you want to linger, the Café du Musée Rodin serves meals and snacks in the shade of the garden's linden trees. As you enter, a gallery on the right houses temporary exhibitions. An English audioguide (€6) is available for the permanent collection and for temporary exhibitions. Buy your ticket online for priority access (€1.80 extra fee).

Masdar City, Abu Dhabi, United Arab Emirates
Высокотехнологичный город Масдар
Научные парки, позволяющие соединить бизнес и передовые исследования, строятся по всему миру — высокие технологии могут стать основой экономики для экономик развивающихся стран. Впрочем, даже среди отстающих уже есть заведомые победители: богатые страны Персидского залива, инвестирующие в создание будущей инфраструктуры сверхдоходы от продажи углеводородов. Таков, например, проект Масдар в Абу-Даби — не технопарк, а целый город ценой в $20 млрд, спроектированный бюро британца Нормана Фостера. Работа в постиндустриальном городе на 50 000 человек будет построена вокруг нового Института науки и технологий, тесно взаимодействующего с MIT. Первые научно-исследовательские постройки в Маcдаре появились ещё в 2010 году, а к моменту своего завершения в 2020 году город станет воплощением всех современных технологий. В городе будет реализована новаторская система личного автоматического транспорта, а вся необходимая энергия будет поступать из возобновляемых источников.

Al Maktum Airport, Dubai, United Arab Emirates
Аэропорт Аль Мактум
Международный аэропорт Дубая — один из самых больших аэропортов на планете, а его годовой пассажиропоток достигает 65 млн человек (у Домодедова — в два раза меньше). Но и это не предел: неподалеку от крупнейшего города Объединенных Арабских Эмиратов уже три года строится Международный аэропорт Аль-Мактум. К моменту завершения проекта в 2025 году он займёт площадь 220 квадратных километров и сможет обслуживать до 160 млн пассажиров в год. Аль-Мактум станет первым на планете аэрополисом — не просто транспортным хабом, но настоящим городом при аэропорте со своими офисами, заводами, торговыми центрами, всей необходимой развлекательной и социальной инфраструктурой и даже собственной свободной экономической зоной. Пока готова первая очередь проекта. Впрочем, Аль-Мактум не долго будет единственным сверхаэропортом: к середине следующего десятилетия сопоставимые по размеру хабы появятся у Стамбула, Дохи и Пекина.

Ground Zero, New York, United States
Башни свободы
Восстановление Ground Zero — одна из главных строек последнего десятилетия: на месте уничтоженных башен-близнецов главный архитектор-деконструктивист планеты Даниэль Либескинд придумал монумент событиям 11 сентября 2001 года. Это не только пара льющихся в бездонные бассейны водопадов, открытых к десятилетию трагедии, но и шесть новых высоток, несколько музеев и монструозный транспортный хаб ценой в $3,5 млрд. Главное здание комплекса — Башню Свободы — откроют уже этой осенью: небоскрёб высотой в 541 метр обошёлся в $4 млрд и уже стал самым высоким зданием Нью-Йорка. Несмотря на то что большая часть Ground Zero отдана под парк и мемориал, после завершения строительства площадь офисов в комплексе Всемирного торгового центра не только не уменьшится, но и увеличится до 1,5 млн квадратных метров.

One Сentral Park, Sydney, Australia
Жилой дом в Сиднее Центральный Парк
Вертикальные фермы в городской черте — один из главых трендов сельского хозяйства будущего. Согласно прогнозу правительства Канады, такие агрокомплексы станут нормой к 2027 году, пока же экспериментальные фермы существуют во дворах и на крышах лишь некоторых жилых и офисных зданий. Но Жан Нувель хочет исправить ситуацию. Архитектор не имеет постоянного авторского стиля и работает в связи с контекстом — и если в Дохе Нувель решил скрыть офисные помещения под солнцезащитной сеткой, то в своём новом проекте в Сиднее он утопил жилые помещения в зелени, которая опутывает весь фасад и поднимается на крышу. Жилой дом в Сиднее — не первый подобный эксперимент французского архитектора. В прошлом году в Барселоне по соседству с отелем Porta Fira Нувель построил ещё одну гостиничную высотку, лестничные пролёты которой утопают в зелени. А два года назад в пригороде Парижа он попросту поставил разборную оранжерею на крышу офисного здания — благодаря этому приёму он создал дополнительное пространство для отдыха.



We are sociable

© 2020 by